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Book Description
A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film.
"The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"--Geoffrey Nowell-Smith, Times Literary Supplement
"Modern film theory begins with Metz."--Constance Penley, coeditor of Camera Obscura
"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."--Stephen Heath, Screen
"The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"--Geoffrey Nowell-Smith, Times Literary Supplement
"Modern film theory begins with Metz."--Constance Penley, coeditor of Camera Obscura
"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."--Stephen Heath, Screen
- Book Details
- English Books
- Paperback 286 Pages
- Edition: Reprint
- ISBN-10: 0226521303
- ISBN-13: 9780226521305
- Publisher: University Of Chicago Press
- Pub date: Dec 15, 1990
- Dimensions: 21 cm x 14 cm x 2 cm Just how big is that?
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